Archive for the ‘Uncategorized’ Category

Join Us for ART in the Yard Art Show and Sale

September 20, 2009

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Renee Kahn article in Fairfield County Weekly

July 9, 2009

A Full View of Renee Kahn

The Stamford teacher/activist/artist finally merges all of her personas in a retrospective exhibit

BReneey William Squier

 

“Should I put on some make-up?” asks artist/advocate Renee Kahn during a publicity shoot for her upcoming gallery show at the Loft Artist Association in Stamford. Kahn poses the question, but you get the impression she’d much rather start a fresh canvas than spend time painting her face.
“I had pictures taken a few years ago,” says Kahn. “The photographer Photoshopped them. My teeth suddenly became bright white, all my brown spots and rosacea disappeared and he airbrushed me into not me.” All it takes is bit of mild reassurance from her current photog, John Martin, and any thought of a “touch-up” is abandoned as she returns to chatting about her life and art.
Renee Kahn is perhaps most familiar as the outspoken director of Stamford’s Historic Neighborhood Preservation Program, an organization that has been defending the city’s architecturally significant buildings for the last 31 years. Several generations of college students also know Kahn for her 20-plus years teaching the history of modern art at UConn’s Stamford campus. She is, arguably, least recognized for her efforts as a visual artist — a fact that fellow LAA members Sandy Garnett and Lina Morielli have set out to correct by curating an exhibit of Kahn’s selected works that opens July 10.
To assemble the show, Garnett and Morielli prowled through Kahn’s cluttered North Stamford studio and a low-ceilinged attic storage area, an experience the artist describes as a “near-death experience.” The art they unearthed was created using a variety of media, including charcoal, black ink, thinned paint, watercolor crayon and photo collage, on canvas, corrugated cardboard and brown wrapping paper. But, the subject matter of the pieces is remarkably consistent, revealing Kahn to be a puckish social satirist with an affectionate interest in the idiosyncrasies of the suburban scene.
The surprise for Kahn in reviewing her output as an artist has been to see just how often the rest her life, as an activist, teacher or historian, has crept onto her canvases. “I’ve always assumed they were separate departments,” she marvels, while rifling through a stack of paintings. “But, I’m not as divided as I thought.”
For example, Kahn’s three-decade-long crusade to preserve Stamford’s inner-city neighborhoods spawned a number of specific works. On permanent display at the city’s Tully Health Center is wall-sized shadowbox that populates a photo collage of vanished streetscapes with pen and ink pedestrians, rendered by Kahn in all their rumpled and wrinkled glory. “I like urban characters,” she says. “I sketch from memory. I get into a kind of Zen state, start to draw and people appear. It’s very interesting to see who turns up.”
Kahn’s many trips to Stamford’s Government Center to testify before one group of bureaucrats or another inspired a portfolio of make-believe mayors that spoofs the lineup of official portraits you pass as you enter the building. “I also have their wives and little dossiers on them,” she adds. Attending a zoning board meeting led to an ambitious series of six- and seven-foot-tall, freestanding corrugated cardboard cutouts of Runyan-esque figures — one of them the spitting image of Bernard Madoff, with his double-breasted suit, styled white coif and Mona Lisa smile all in place.
“I was at the hearing and in comes one of the area’s more famous developers with his entourage,” Kahn recalls. “My husband said, ‘Who are these characters? They look like gangsters.’ I suddenly saw that they have alter egos. They go to Princeton and collect Piranesi prints. But, cross them and they become monsters.” Out of that experience, Kahn was moved to not only paint her Madoff look-alike, but his wife, sons, accountants, bankers, bodyguards and mother-in-law. “And he’s got twin lawyers,” she adds. “One’s from Harvard and one’s from Yale.”
Kahn traces her interest in art back to studying at the High School of Music and Art in New York City. For the lonely teenager, painting was as much a means of connecting with other people as it was of expressing herself. “My husband, who was a clinical psychologist, would say to me, ‘Only an only child would turn out all these paintings,'” she recalls. “And I’d say, ‘Well, I wanted company!'”
Rather than pursue a career as an artist, however, she turned at first to teaching. After graduating from City College and doing post-graduate work at Columbia University, Kahn spent seven long years toiling in the South Bronx. She jokes that she was traumatized by the New York Public School system. “I swore that I’d go on welfare before I’d go back,” she admits. What it taught her, however, was the value of a sense of humor. “I had to be good on my feet to keep their attention,” she says. “I was basically doing stand-up comedy.”
Kahn married and gladly abandoned the kids in the classroom to raise children of her own, painting whenever she had the chance. She also put her degree from Columbia’s School of Architecture and Planning to use by offering her services to the Stamford Community Development Office and other local non-profits like the Land Use Boards and the Downtown Special Services District as a consultant on historic preservation.
While she was busy advocating for the city’s neighborhoods to be kept intact, Kahn discovered that the two sides of her nature were not mutually exclusive. “When you’re a preservationist, you suffer so many losses,” she explains. “If I didn’t have an outlet like my artwork, I would have quit years ago. I can control what’s on the canvas, whereas I have no control over the outcome of most of my preservation work.”
When Kahn returned to the academic world, she focused on teaching art history at the college level and she found that it also fed her creative side. “You spend every day with the best work ever done,” she says. “So, your eye gets sharper.”
Posed for a photograph in front of a sprawling depiction of Curley’s Diner in Stamford, that’s pinned to her studio’s wall, Kahn’s eyes travel across the faces that crowd the painting. “I love them flawed,” she insists. “Ten percent of people look pretty. Ninety percent look real. And real life looks more like Curley’s.” Even so, between shots she glances at the digital image on the camera and sighs, “I knew I should have put on some make-up.” Seconds later, she shrugs and it’s forgotten.

Working Studios Spring 09

June 29, 2009
Susan McCaslin with guests at WS 09

Susan McCaslin with guests at WS 09Working Studios 09 was tons of fun. Here's Susan McCaslin in her studio with guests working on her Leatherman project.Cate getting ready for WS

Dana Scinto at Warehouse 161

June 6, 2009

Warehouse 161 on Springs Fireplace Road will exhibit “Art Work in Resin by Dana Scinto” from Saturday, May 23 through July 1.

When you are in East Hampton, be sure to stop by. For info call 631-324-0555.

Loft Artists at the Mansion!

June 4, 2009

Loft artists at the Mansion artLoft Artists Exhibit at the Lockwood-Mathews Mansion Museum
June 11 – September 9, 2009

LOCKWOOD-MATHEWS MANSION MUSEUM
295 West Avenue, NORWALK CT
203-838-9799

Join us for the
Opening Reception:
Thursday, June 11, 6-8pm

Go to Lockwood-Mathews Mansion Museum for details.

The Loft Artists are coming to the Lockwood-Mathews Mansion Museum in Norwalk, CT and the contrast between the bare bones industrial building at 845 Canal St that currently houses the Loft Artists and the rooms presently set aside at the for exhibits at the Lockwood-Mathews Mansion could not be more dramatic.

With parquet floors, elaborate woodwork and painted ceilings, the mansion represents mid-19th century elegance at its highest, and provides a striking contrast to the twenty-first century art work shown by the Loft Artists on the gallery’s walls.

Included in the exhibit will be paintings and drawings by artists from Stamford, Greenwich, Norwalk, Wilton, Fairfield and Bridgeport. Among the exhibitors are: Pamela Riley Abear, Nikki Bates, Elaine Best, Shirley Binin, Angela Burns, Francine Funke, Alan Judelson, Renee Kahn, Clair Koch, Judith Lambertson, Cate Leach, Mary Louise Long, Susan McCaslin, Lina Morielli, Wendi Ohlson, Jane Petruska, Tina Rohrer, Alissa Siegal, Dana Scinto, Maura Shapiro, Liz Squillace, Kevin Thomas, Margaret Tsirantonakis, & Diane Weeks.

Donna Hargrove: Art to the Avenue

May 6, 2009

Donna Hargrove has work at NYSC on Liberty Way in Greenwich as part of the Art to the Avenue.

On May 7, 2009 “Art to the Avenue” officially opens with a gala street festival turning Greenwich Avenue into a strolling art gallery. Musicians, dancers, singers, jugglers, bands, and other entertainers fill the streets from 5:30 to 8pm. In addition, many events, programs, performances, and workshops are scheduled for artists and the public during the month of May. “Art to the Avenue” is the oldest and largest event of its kind in the region.

Draw On! at LAA — Saturday, March 28, 2-5pm

April 4, 2009
Drawing at LAA!

Drawing at LAA!

Draw On! Saturday March 28th was well attended and everyone had a great time drawing to the music of Jeremy, Kevin and Patrick.

Come to Draw On! this weekend on Saturday, April 4th. Your last chance to join in on the fun of drawing all over the walls with pencil, marker, chalk…and there will be more music, some story-telling and more. Bring the whole family! Kids love it!

New Sign at LAA

March 17, 2009
Our schedule is now posted outside the building!

Our schedule is now posted outside the building!

It took a while but we finally got out weatherproof sign hung next to the door on the outside of the building. Ed Esposito hung it masterfully and Lisa Cuscuna did a great job creating the insert which lists the entire schedule for the 2009 season.

Arts Organizations on the brink

February 26, 2009

Wall Street Journal 2-1-09

http://online.wsj.com/article/SB123500002830817227.html

Within 24 hours of announcing a free consulting program for any troubled arts organizations in the country, Michael Kaiser, president of the John F. Kennedy Center for the Performing Arts, received 110 emailed pleas from 31 states.